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Ian Hattwick
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Year
Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments.
I Hattwick, JW Malloch, MM Wanderley
NIME, 443-448, 2014
382014
A Dimension Space for Evaluating Collaborative Musical Performance Systems.
I Hattwick, MM Wanderley
NIME 12, 21-23, 2012
332012
The vibropixels: A scalable wireless tactile display system
I Hattwick, I Franco, MM Wanderley
Human Interface and the Management of Information: Information, Knowledge …, 2017
262017
Design and implementation of a whole-body haptic suit for “Ilinx”, a multisensory art installation
M Giordano, I Hattwick, I Franco, D Egloff, E Frid, V Lamontagne, C TeZ, ...
12th International Conference on Sound and Music Computing (SMC-15), Ireland …, 2015
182015
Interactive exploration of a hierarchical spider web structure with sound
I Su, I Hattwick, C Southworth, E Ziporyn, A Bisshop, R Mühlethaler, ...
Journal on Multimodal User Interfaces 16 (1), 71-85, 2022
142022
Development of a vibrotactile metronome to assist in conducting contemporary classical music
P Ignoto, I Hattwick, MM Wanderley
Advances in Human Factors in Robots and Unmanned Systems: Proceedings of the …, 2018
112018
Composition Techniques for the Ilinx Vibrotactile Garment
I Hattwick, I Franco, M Giordano, D Egloff, MM Wanderley, V Lamontagne, ...
ICMC, 2015
102015
Design of hardware systems for professional artistic applications.
I Hattwick, MM Wanderley
NIME, 436-441, 2017
82017
Integrating emotional data into music performance: Two audio environments for the emotional imaging composer
RM Winters, I Hattwick, MM Wanderley
International Conference on Music and Emotion, Jyväskylä, Finland, 2013
72013
The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation
V Lamontagne, I Hattwick, I Franco, M Giordano, D Egloff, M Martinucci, ...
Proceedings of the International Symposium on Electronic Arts, 2015
62015
Approaches to collaboration in a digital music ensemble
I Hattwick, K Umezaki
NIME 2012 Proceedings of the International Conference on New Interfaces for …, 2012
62012
Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis.
I Hattwick, P Beebe, Z Hale, MM Wanderley, P Leroux, F Marandola
NIME, 597-600, 2014
52014
Instrumented bodies: Prosthetic instruments for music and dance
J Malloch, I Hattwick, M Wanderley
J. Malloch. A Framework and Tools for Mapping of Digital Musical Instruments …, 2013
52013
Interactive lighting in the pearl: considerations and implementation.
I Hattwick, MM Wanderley
NIME, 201-204, 2015
42015
Emotional data in music performance: Two audio environments for the emotional imaging composer
RM Winters, I Hattwick, MM Wanderley
The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013
42013
Face to face, byte to byte: Approaches to human interaction in a digital music ensemble
I Hattwick
42011
Rethinking networked collaboration in the live coding environment Gibber
C Roberts, I Hattwick, E Sheffield, G Smith
PubPub, 2022
22022
The creation of hardware systems for professional artistic productions
I Hattwick
McGill University (Canada), 2017
22017
Almost Human: Moving Expressive Gesture from Cello to Spine
I Hattwick, S Woods, MM Wanderley
Proceedings of the Workshop on Practice-Based Research in New Interfaces for …, 2014
22014
Approaches to Interaction in a Digital Music Ensemble.
I Hattwick, K Umezaki
NIME, 2012
12012
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